[LUM#11] At the Heart of a Work of Art

[LUM Magazine] - Published on December 20, 2019 in Heritage, Science and Society

Humidity, temperature fluctuations, the passage of time… in museums, paintings mounted on wooden supports are put to the test. To better understand how wood moves and thus better preserve these works, Delphine Jullien, a researcher at the Laboratory of Mechanics and Civil Engineering (LMGC), designed a very special display case installed at the Fabre Museum.

Read all the articles in this issue

As testimonies to a past that is sometimes distant, works of art span the centuries and are not spared by the passage of time. Paintings on wood, for example, are subject to the natural warping of this material, which can sometimes damage the works. To better preserve this cultural heritage, curators turn to… researchers. In particular, they rely on the wood team at the Montpellier Laboratory of Mechanics and Civil Engineering (LMGC), which possesses extensive expertise in this field, having previously studied the famous Mona Lisa in collaboration with the PPRIME Institute in Poitiers and the GESAAF at the University of Florence (Italy).

This time, these researchers are examining *The Holy Trinity Crowning the Virgin*, a work on display at the Musée Fabre in Montpellier.“It’s a^15th-century painting on a panel consisting of four oak boards, fitted with a frame and a backing panel,” explains Delphine Jullien. “This prevents the wood from moving due to fluctuations in ambient humidity, which has led to the appearance of cracks that have damaged the paint layer.”

To better understand how wood behaves, the researcher and her team set up a full-scale laboratory in the heart of the museum, in full view of the public.“The painting is placed in a sealed climate-controlled display case where it is subjected to fluctuations in relative humidity ranging from 53 to 63 percent.”

A high-precision scale measures changes in the panel’s weight and uses this data to calculate the mass of water absorbed by the wood. A system of cameras that reconstructs the artwork in three dimensions, combined with “strain gauge” sensors, continuously measures the wood’s movements and the panel’s deformations.

“This data will allow us to quantify and better understand the movements of a painting on wood, and thus work with conservators to propose solutions for better preserving them,” says Delphine Jullien.