Collections
Astronomy
The University of Montpellier’s astronomy collection comprises approximately 200 items, 56 of which are designated as Historic Monuments. It is of great heritage value and illustrates the technical and scientific developments in instruments from the 18th to the 20th century.
The first instruments were provided by the Royal Society of Sciences and placed on loan by the city of Montpellier in 1811. These devices allow students to conduct observations and experiments during practical sessions. Held at iconic locations throughout the city, such as the Babote Tower, the Arc de Triomphe, and the observatory at the Jardin des Plantes, these courses require the use of quadrants, precision clocks, telescopes, and other instruments.
Throughout the 19th and 20th centuries, the Faculty of Science continued to acquire new equipment to meet the evolving needs of teaching and research, such as the observation instruments used for experiments with artificial comets in the 1960s.
Botany
The Montpellier University Herbarium (MPU) is, in terms of both size and the quality of its collections, the second-largest herbarium in France after that of the Paris Museum of Natural History. Serving as both a research tool and a cultural heritage collection, it contains approximately 3.5 million dried specimens of vascular plants, algae, mosses, and fungi. It also includes more unusual collections (pharmacy, xylotheque, etc.) as well as documentary collections related to the specimens (handwritten notes by botanists and researchers, scientific illustrations such as the botanical watercolors created by T.F. Node-Véran and classified as Historic Monuments in 2010). The oldest specimens date back to the 16th century, and each year new collections and acquisitions enrich this collection.
In addition to these collections are the biological material collections of the Center for Bioarchaeology and Ecology (CBAE) and those of the Montpellier Institute of Evolutionary Sciences (ISE-M), which manages one of the world’s largest collections of pollen slides.
Ethnology
The University of Montpellier’s ethnology collection brings together objects from around the world that reflect the diversity and richness of various cultures, particularly those of the Kanak, Papuan, and Māori peoples.
This heritage collection comprises more than 130 items acquired in the 19th century. The pieces originate from various regions of the world, including Oceania, Asia, South America, and North Africa. It was primarily collected by naval officer Auguste Bérard during three round-the-world exploration voyages undertaken between 1810 and 1840. This collection includes bone and shell ornaments, wood carvings, weapons, musical instruments, and furniture. It was designated a Historic Monument in 2009.
Another unique feature of this collection is the presence of a collection of fragments of Egyptian mummies, including, in particular, feet, hands, a few bones, several skulls, and the embalmed body of a child.
Flahaut Photo Gallery
The "Charles Flahault" photo collection comprises more than 2,000 digitized images of glass plate and paper prints from the late 19th and early 20th centuries.
This collection was assembled by the botanist Charles Flahault (1852–1935), a professor in the Faculty of Sciences and director of the Montpellier Botanical Institute from 1883 to 1927. These photographs were taken during scientific research aimed at studying changes in landscapes and vegetation. Many of the photographs are signed by Charles Flahault’s collaborators, such as Johannes Lagarde (1866–1934). Family photographs from the Emberger collection—descendants of Charles Flahault—have been added to this collection.
The cataloging and digitization of this collection are the result of a partnership between the Montpellier Interuniversity Library (Photography Workshop, Science Library) and the “Présence de Charles Flahault” association. The collection is held by the Science Library and the Historical Heritage Department of the University of Montpellier.
Mineralogy
When it was founded in 1809, the Faculty of Sciences in Montpellier was the only one, along with the Faculty of Sciences in Paris, to have a chair of mineralogy. To illustrate the early lectures, the city of Montpellier donated a collection in 1811 consisting of mineral specimens from revolutionary confiscations. The collections continued to grow throughout the century thanks to donations and purchases by professors, as well as exchanges with various institutions. Students also contributed by collecting samples during fieldwork. All these efforts resulted in a large collection representative of the mineral deposits of the Languedoc-Roussillon region and, more broadly, of France.
Today, the mineralogy collection comprises approximately 2,500 specimens, as well as teaching materials such as wooden mineralogical models. The collection continues to grow thanks to numerous donations from private individuals.
Furniture and art objects
The University of Montpellier is home to a rich collection of furniture and works of art that reflect its remarkable history.
Paintings and sculptures: Nearly 300 paintings and sculptures depict the major events and figures that have shaped the university’s history. Among them are more than 260 painted portraits of professors designated as Historic Monuments, as well as busts and decorative paintings.
Furniture: The university has preserved antique furniture used to display and store its collections. It also owns 19th-century furniture from the former bishop’s palace in Montpellier.
Works of art: The ceremonial maces of the Faculty of Medicine and the Faculty of Sciences are among the university’s most iconic objects. The one belonging to the Faculty of Medicine, known as the Rod of Asclepius, was crafted by goldsmith Jean-Baptiste-Claude Odiot in 1804, while the one belonging to the Faculty of Sciences was crafted by goldsmith Placide Boué in 1819. They are used, just like academic gowns, during official ceremonies.
Paleontology
The origins of the University of Montpellier’s paleontology collection date back to the founding of the Faculty of Sciences in Montpellier in 1809. This discipline, dedicated to the study of extinct life forms and their evolution over geological time, was then affiliated with the Department of Mineralogy and Geology.
The museum’s first paleontological collections were acquired through a deposit from the city of Montpellier in 1811. They were subsequently expanded through donations, bequests, and purchases. They also include material from excavations conducted in the region since the 19th century, many of which are internationally recognized as reference specimens, with approximately 10,000 type specimens.
Today, fossil collections include thousands of footprints, vertebrates, invertebrates, charophytes, plants, and pollen grains.
These collections, which are constantly being expanded, are managed by the Montpellier Institute of Evolutionary Sciences (ISE-M). They continue to serve as a resource for teaching and international research.
Contemporary Scientific and Technical Heritage (PATSTEC)
This collection is part of the PATSTEC (Contemporary Scientific and Technical Heritage) preservation initiative, supported by the Ministry of Higher Education and Research and the Musée des Arts et Métiers/CNAM. It involves cataloging instruments that bear witness to the technical advancements of the 20th and 21st centuries.
The diversity and modernity of the items in this collection give it a truly remarkable character. Computer equipment, educational charts, microscopes, photomultipliers, and more are just a few examples of this collection, which grows by 150 items each year.
Donated by laboratories, private companies, and individuals, these instruments are cataloged to highlight the research fields being pursued in the Languedoc-Roussillon region. The project focuses specifically on identifying and preserving materials related to health, botany, and interdisciplinary fields such as photography, microscopy, and educational materials.
Physics
The physics collection at the University of Montpellier reflects the history of education, science, and technology in the 19th and early 20th centuries.
Some of the instruments in this collection were acquired by university professors beginning in the early 19th century for educational or practical purposes, such as demonstrations and scientific research. Another part of this collection comes from revolutionary confiscations placed in storage by the municipality of Montpellier in 1811. According to the archives, physics instruction in Montpellier at that time covered a wide range of fields, including the motion of celestial bodies, optics, acoustics, electricity, the analysis of matter, and physics as applied to the human body.
More than 300 instruments on display today bear witness to the evolution of teaching methods and practices over the past few centuries. Leading instrument makers are represented by such renowned firms as Pixii, Ducretet, Secrétan, and Beaudouin.
Zoology
The zoology collection at the University of Montpellier consists of more than 40,000 specimens preserved in various ways. In addition to collections of taxidermied animals (birds, mammals, fish, reptiles), it also houses numerous unmounted specimens, others preserved in liquid (vertebrates and invertebrates), several thousand shelled mollusks, corals, a large collection of mounted skeletons, and entomological specimens.
These collections are the result of donations, exchanges, bequests, or purchases made between individuals or institutions—such as the National Museum of Natural History—beginning in the early 19th century. They are used in the teaching of animal biology and comparative anatomy at the Faculty of Sciences and the School of Pharmacy.
Even today, they remain an excellent teaching tool and serve as a remarkable resource for research, particularly in fields such as molecular biology and phylogenetics.
1% for the arts
The "1% for the Arts" program is an innovative initiative created in 1951 to support contemporary art, raise public awareness of art, and provide as many people as possible with direct access to contemporary artworks outside of specialized institutions.
This initiative requires that 1% of the cost of construction, expansion, or renovation of certain public buildings be allocated to the creation of one or more works of art designed specifically for the site where they will be displayed.
Most of the works created on the Triolet campus are in the “Op Art” style, also known as optical art. This movement refers to an artistic practice that emerged in the 1960s and exploits the fallibility of the eye through optical illusions. Op Art works are generally abstract and convey a sense of movement, flashes of light, and vibration. These visual stimuli place the viewer’s body in an unstable state, hovering between pleasure and discomfort, immersed in a sensation of dizziness akin to certain states of mild intoxication.
